Andrei sent me his most recent book on Jewish mysticism in the Apocalypse of Abraham. The cover is gorgeous, a Blakean painting that is so apropos for the subject: the mirrored relationship between the heavenly and the demonic. Think the two sides of the same coin. The maintenance of demonic through the imitation of divinity.
Andrei A. Orlov, Divine Scapegoats: Demonic Mimesis in Early Jewish Mysticism (Albany: SUNY, 2015) 352 pages, ISBN13: 978-1-4384-5583-9
Divine Scapegoats is a wide-ranging exploration of the parallels between the heavenly and the demonic in early Jewish apocalyptical accounts. In these materials, antagonists often mirror features of angelic figures, and even those of the Deity himself, an inverse correspondence that implies a belief that the demonic realm is maintained by imitating divine reality. Andrei A. Orlov examines the sacerdotal, messianic, and creational aspects of this mimetic imagery, focusing primarily on two texts from the Slavonic pseudepigrapha: 2 Enoch and the Apocalypse of Abraham. These two works are part of a very special cluster of Jewish apocalyptic texts that exhibit features not only of the apocalyptic worldview but also of the symbolic universe of early Jewish mysticism. The Yom Kippur ritual in the Apocalypse of Abraham, the divine light and darkness of 2 Enoch, and the similarity of mimetic motifs to later developments in the Zohar are of particular importance in Orlov’s consideration.